Showing Records: 81 - 100 of 124
No.337: Wertvolle Bucher - Autographen / Hauswedell & Nolte ; Goncharova N ; Schwitters K ; Chernikov I ; Arp H ; Ball H ; Beuys J ; Duchamp M ; Malevich K ; Kruchenykh A ; Miccini E ; Rixdorfer Drucke ; Ulrichs T., 1998
Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Ocean Stripe Series 5 / Finlay, Ian Hamilton ; Jandl E ; DeVree P ; Schwitters K., 1967
The text taken from Jandl, Schwitters and De Vree is printed as captions to photographs of ships. -- Source of annotation: Marvin or Ruth Sackner.
Ocean Stripe Series 5 / Finlay, Ian Hamilton ; Jandl E ; DeVree P ; Schwitters K., 1967
The text taken from Jandl, De Vree and Schwitters is printed as captions to photographs of ships. -- Source of annotation: Marvin or Ruth Sackner.
poems of life & death, 2003
Poems of War and Peace / Duke, Jas H. ; Jandl E ; Schwitters K., 1987
This is the major anthology of Duke's works. -- Source of annotation: Marvin or Ruth Sackner.
Programme: Musees de Marseille / Mallarme S ; Apollinaire G ; Marinetti FT ; Iliazd ; Schwitters K ; DeCampos A ; Lemaitre M ; Heidsieck B ; Blaine J ; Gomringer E ; Finlay IH ; Chopin H ; Spatola A ; Broodthaers M ; Kolar J ; Gerz J ; Sarenco ; Burroughs WS ; Breton A ; Graham D., 1993
A major portion of this museum catalogue is devoted to the exhibition "Poesure et Peintrie." The Sackner Archive holds the exhibition catalogue. The introduction was written by Christian Poitevin (aka Julien Blaine), Deputy Mayor with responsibility for the Arts and Culture. -- Source of annotation: Marvin or Ruth Sackner.
Purity and Thinness in Concrete Poetry / Lucie-Smith, Edward; Schwitters K; Apollinaire G; Finlay IH; Johns J., 1965
Review of "Between Poetry and Painting" at the ICA in London. Lucie-Smith states "Concrete poetry is difficult to describe but easy to recognize." Stored with other material about this exhibition. Stored with material dealing with the Archive of "Between Poetry and Painting." -- Source of annotation: Marvin or Ruth Sackner.
Raoul Hausmann Archive / Reichardt, Jasia ; Schwitters K ; Themerson S ; Hausmann R ; Reichert J., 1985
This is a listing of items for sale. Stored in the Hausmann box. -- Source of annotation: Marvin or Ruth Sackner.
Rare Books / Sims Reed ; Kandinsky V ; Cravan A ; Marinetti FT ; Schwitters K ; Larionov M ; Gontcharova N ; Iliazd ; Teige K ; Dali S ; Duchamp M ; Picasso P ; Boltanski C ; Dine J ; Twombly C ; Long R., 2009
Reading Visual Poetry after Futurism: Marinetti, Apollinaire, Schwitters, Cummings / Webster, Michael ; Cendrars B ; Apollinaire G ; Schwitters K ; cummings ee ; Marinetti FT ; Bohn W ; Shattuck R ; Barthes R ; Steiner W ; Stein G ; Zurbrugg N ; Dohl R ; Mayer HJ ; Tashjian D ; Gomringer E ; DeCampos A ; Pignatari D ; DeCampos H ; Carra C ; Hausmann R ; Williams E., 1995
Webster states that the four main poets discussed in this book, that was originally a doctural thesis, were not influenced by Mallarme's Un Coup de Des. In the case of Marinetti, he points out the structural typographic differences and similarities between Un Coup de Des and Parole In Liberta. Webster uses the term, visual poetry, as synonymous with concrete poetry. An appendix depicts several poems descibed in the book. -- Source of annotation: Marvin or Ruth Sackner.
Retrospectives / Metzger, Gustave ; Phillpot C ; Schwitters K ; Paolini G ; Connor B ; Fontana L ; Reinhardt A., 1999
Influenced by the Holocaust, Metzger created "an art that aimed at introducing destruction as a means of transforming peoples' thoughts and feelings, not only about art, but to use art to change peoples' relation to themselves and society." Metzger is best known for organizing the Destruction in Art Symposium (DIAS) in London in September 1966. The main object was to focus attention on the element of destruction in Happenings and other art forms including the Viennese Actionists. -- Source of annotation: Marvin or Ruth Sackner.
RLQS Varie 3 Cascades / Raoul Hausmann; K Schwitters., 1970
These poems are based upon a colllaboration with Kurt Schwitters on the the reading of "Pin." This never played tape is also designated No.4 of the series. -- Source of annotation: Marvin or Ruth Sackner.
Selection of Objects by Artists, A: 1915-1965 / Duchamp M ; Breton A ; Hugnet G ; Schwitters K ; Beuys J ; Samaras L ; Kolar J ; Hausmann R ; Hoch H ; Schwitters K., 1981
Short List: Catalog of Catalogs / Ex Libris ; Schwitters K ; Lissitzky E ; Duchamp M ; Ernst M ; Breton A ; Marinetti FT ; Werkman HN., 1983
Short List: Dada Again / Ex Libris ; Arp H ; Tzara T ; Ball H ; Huidobro V ; Schwitters K ; Stieglitz A ; Picabia F ; Crotti J ; VanOstaijen P., 1981
Short List: No.13 (Documentary Literature) / Ex Libris ; Delaunay S ; Bayer H ; Schwitters K ; Depero F ; Zwart P ; Chashnik IG ; Iliazd ; Telingater S ; Lissitzky E., 1982
Short List: Periodicals / Ex Libris ; Tzara T ; Schwitters K ; Picabia F ; Marinetti FT ; Apollinaire G ; Roth D ; Breton A ; Hugnet G ; Lissitzky E., 1981
Short List: Rare Periodicals: Art & Literature / Ex Libris ; Tzara T ; Schwitters K ; Picabia F ; Marinetti FT ; Apollinaire G ; Lissitzky E ; Jarry A ; Duchamp M ; Zwart P., 1981
Short List: Russian / Ex Libris ; Schwitters K ; Larionov M ; Annenkov Y ; Lissitzky E ; Arp H ; Malevich K ; Popova L ; Mayakovsky V ; Telingater S., 1977
Sonde, Die. No.2 / Horst Kistler, Karl Heinz Roth, editors ; Bremer C ; Schauffelen KB ; Mayrocker F ; Bezzel C ; Wolf R ; Mon F ; Dohl R ; Kriwet F ; Ball H ; Hausmann R ; Schwitters K ; Heissenbuttel H ; Bense M ; Falk G ; Lobe J ; Becher B., 1964
Reinhold Dohl contributed an essay on the history of Sound Poetry. This cover and page are the first appearance of Becher's photographs of industrial buildings in ptint and di not include his wife. -- Source of annotation: Marvin or Ruth Sackner.